Ensembel Musik Tiup Pada Upacara Adat Batak Toba - Analisis Perubahan Struktur Penyajian dan Repertoar Musik

Abstract

The new interactions of religion the west point of few enentered the Batak Land and changed the basic culture up to the roots. The modern in impact, the development of education and prosperity are often expressed by doing something modern. The infiltration of Christian religion come to Batak Land is carried by Zending RMG missionaries. And the Gondang practicing become limited and reduced even though Batak Toba societies runs their cult ritual constantly. Pre Christian in Batak Land, Gondang Sabangunan and Uning-uningan are used as a music in their cult tradition or others ritual ceremonies. They used them as a media of communication with the ancestors spirits and as a instruments music in wedding and dead ceremonies, also in the party of building monuments and etc.Gondang is called as an local identity of Batak people. Gondang Sabangunan has a strategies function in Batak tradition, but the same time with modern era, the Batakparties or ceremonies started using west music and brass band more than the Gondang. In the development of culture, the brass band replaced the Gondang Sabangunans’ function by replacing structure music in Batak and West music. This changing happened when brass band in the first time were used as instrument music the church, but the same time they are used also in Batak’s tradition parties or ceremonies. But the brass band function in Batak’s cult or tradition still used Batak’s concept in his ownstructure music, even the basic material is different with Gondang. The Batak Toba society who live in the post-modern era must see the global media and development of technology. They are influence peoples’ points of few or minds. It can be replaced the tradition Gondang music as an identity in Batak Toba culture.