http://repository.usu.ac.id:80/handle/123456789/15092 2013-05-21T09:46:04Z 2013-05-21T09:46:04Z Gustaf Sitepu http://repository.usu.ac.id:80/handle/123456789/15560 2010-03-22T08:35:13Z 2009-07-06T00:00:00Z

Authors: Gustaf Sitepu Abstract (other language): This research is done with the purpose of getting the strata norm overview in the poem collection “Nostalgic = Transendency” by Toeti Heraty. To reach that purpose, the collection “can’t Resist” which consists of 14 poems, will be analyzed. The theory used in analyzing is the structuralism and strata norm theory of Roman Ingarden. The Theme of the poem in collection “can’t Resist” is generally about,”Tragedic”, Anxiety & Loneliness in modern human life.

2009-07-06T00:00:00Z Gustaf Sitepu This research is done with the purpose of getting the strata norm overview in the poem collection “Nostalgic = Transendency” by Toeti Heraty. To reach that purpose, the collection “can’t Resist” which consists of 14 poems, will be analyzed. The theory used in analyzing is the structuralism and strata norm theory of Roman Ingarden. The Theme of the poem in collection “can’t Resist” is generally about,”Tragedic”, Anxiety & Loneliness in modern human life. Siregar, Ahmad Samin http://repository.usu.ac.id:80/handle/123456789/15559 2013-03-16T19:19:58Z 2009-07-06T00:00:00Z

Authors: Siregar, Ahmad Samin Abstract (other language): This paper begins with discussing about the understanding of drama and its characteristics, followed by discussing about the role of drama in society. Further more, in another part of this paper is also concerning wish the Batak Opera as a kind of drama performance in Batak Toba society.The are many kinds of stories which performed in the Batak Opera such as legend, myth, and many other stories concerning wish the dayly life. Usually, all of those with be performed at night.The Batak Opera performance usually followed by folk song which very popular in Batak Toba society. For instance, some of the texts of Batak Opera such as: “Siboru Tumbaga”, “Si Tionina”, and “Guru Patimpus”, had been performed by Tilhang Gultom. Finally, this paper will be focused on “Si Boru Tumbaga” which performed by the young generation of Batak Toba.

2009-07-06T00:00:00Z Siregar, Ahmad Samin This paper begins with discussing about the understanding of drama and its characteristics, followed by discussing about the role of drama in society. Further more, in another part of this paper is also concerning wish the Batak Opera as a kind of drama performance in Batak Toba society.The are many kinds of stories which performed in the Batak Opera such as legend, myth, and many other stories concerning wish the dayly life. Usually, all of those with be performed at night.The Batak Opera performance usually followed by folk song which very popular in Batak Toba society. For instance, some of the texts of Batak Opera such as: “Siboru Tumbaga”, “Si Tionina”, and “Guru Patimpus”, had been performed by Tilhang Gultom. Finally, this paper will be focused on “Si Boru Tumbaga” which performed by the young generation of Batak Toba. Ikhwanuddin Nasution http://repository.usu.ac.id:80/handle/123456789/15558 2010-03-22T08:35:11Z 2009-07-06T00:00:00Z

Authors: Ikhwanuddin Nasution Abstract (other language): The existence of author, masterpiece, and reader are undeniable art fact in this time. The three dimensions of these art have their problems, one to another is supporting to each other, interconnected or contradictive. An author as the creator embosomed by cultural social life which will influence and support the process of his creativity. As a masterpiece dimension a text will concern with intrinsic problem, and the masterpiece in the form of book will involve problems like capital, packaging, and marketing. So, it has capitalist cultural element and trade. Readers also have problems which concern public collectivity, which factors motivated the readers to buy the books and for what. This three dimensions are still encirlced by a macro culture which contained ideology, politic, and social culture which represents the author’s world view. Saman and Larung as the Indonesian contemporary bellesletters also concern for the three dimensions, the macro culture encircled by feminist ideology. It reflected in the masterpiece including of the author’s idea, context, and public collectivity. To appreciate all of the circle, i.e: the author culture, the masterpiece culture, and the readers culture are used hermeneutica approach and to explain the cases in the three dimension are used poststructuralism theory like Derrida deconctruction, postmodernism esthetics, feminism esthetics, and Roland Barthes semiotic.

2009-07-06T00:00:00Z Ikhwanuddin Nasution The existence of author, masterpiece, and reader are undeniable art fact in this time. The three dimensions of these art have their problems, one to another is supporting to each other, interconnected or contradictive. An author as the creator embosomed by cultural social life which will influence and support the process of his creativity. As a masterpiece dimension a text will concern with intrinsic problem, and the masterpiece in the form of book will involve problems like capital, packaging, and marketing. So, it has capitalist cultural element and trade. Readers also have problems which concern public collectivity, which factors motivated the readers to buy the books and for what. This three dimensions are still encirlced by a macro culture which contained ideology, politic, and social culture which represents the author’s world view. Saman and Larung as the Indonesian contemporary bellesletters also concern for the three dimensions, the macro culture encircled by feminist ideology. It reflected in the masterpiece including of the author’s idea, context, and public collectivity. To appreciate all of the circle, i.e: the author culture, the masterpiece culture, and the readers culture are used hermeneutica approach and to explain the cases in the three dimension are used poststructuralism theory like Derrida deconctruction, postmodernism esthetics, feminism esthetics, and Roland Barthes semiotic. Rosliana Lubis http://repository.usu.ac.id:80/handle/123456789/15557 2010-03-22T08:35:10Z 2009-07-06T00:00:00Z

Authors: Rosliana Lubis Abstract (other language): There is a kinship system which has main roles in Angkola ethnic group society. They follow it’s norms, mainly in addressing their spech properly to the second person they are speaking to. This kind of kinship system integrated in the Dalihan Na Tolu structure. Dalihan Na Tolu translated symbolically with three-united fireplace on which cookpan placed. Each component of the three-united fireplace symbolizes sub-group of the same society. They consist all of what we call kahanggi, anak boru, and mora. Partuturon (the way and what we call our family group members) indicates the claseness and farness in family relationship as well. In poda addressing system it’s usually used politenees by using the proverb: Pantun hangoluan teas hamatean.

2009-07-06T00:00:00Z Rosliana Lubis There is a kinship system which has main roles in Angkola ethnic group society. They follow it’s norms, mainly in addressing their spech properly to the second person they are speaking to. This kind of kinship system integrated in the Dalihan Na Tolu structure. Dalihan Na Tolu translated symbolically with three-united fireplace on which cookpan placed. Each component of the three-united fireplace symbolizes sub-group of the same society. They consist all of what we call kahanggi, anak boru, and mora. Partuturon (the way and what we call our family group members) indicates the claseness and farness in family relationship as well. In poda addressing system it’s usually used politenees by using the proverb: Pantun hangoluan teas hamatean. Nurhayati Harahap http://repository.usu.ac.id:80/handle/123456789/15556 2010-03-22T08:35:09Z 2009-07-06T00:00:00Z

Authors: Nurhayati Harahap Abstract (other language): Ende ungut-ungut is a kind of poem. It belongs to Toulouse Angkola Mandailing literature and contains the expression of heart in the form of sad tone. In sociology of letter it discusses the socio-culture of Angkola Mandailing community. The elements of community socio-culture of Angkola Mandailing are analyzed by using the seven elements of universal culture. The research result shows that the seven elements of socio-culture found in it.

2009-07-06T00:00:00Z Nurhayati Harahap Ende ungut-ungut is a kind of poem. It belongs to Toulouse Angkola Mandailing literature and contains the expression of heart in the form of sad tone. In sociology of letter it discusses the socio-culture of Angkola Mandailing community. The elements of community socio-culture of Angkola Mandailing are analyzed by using the seven elements of universal culture. The research result shows that the seven elements of socio-culture found in it. Hamzon Situmorang http://repository.usu.ac.id:80/handle/123456789/15555 2010-03-22T08:35:08Z 2009-07-06T00:00:00Z

Authors: Hamzon Situmorang Abstract (other language): The Kanadehon Chushingura is a drama writen by Chikamatsu Monzaemon in 1706 (Takeuchi 1954:627). This Drama is based on Akouroshi tragedy in Nabeshima han (Hiroshima village) in1701 (Edo period in Japan). This is a tragedy about the suicide of 47 samurai reteiners as a loyality expression for their masters. They do suicide after they kill the anemy of theirs masters. In This tragedy we can see two types of loyality of samurai reteiners to their masters, i.e: the old bushido and the new bushido. The old bushido is one type of bushido borned between in the relation of their masters and their reteiners. The type of this loyality is “be ready to die for their masters without reasons”. The other side, the new bushido is a moral of samurai created by Shogun (centre of birocrate). This loyality is based on Confusianism, Colled as rational teaching. Loyal to their masters becouse there’s benefit of doing it. So, in the Kanadehon Chushingura we can see the changing proces between old bushido and new bushido.

2009-07-06T00:00:00Z Hamzon Situmorang The Kanadehon Chushingura is a drama writen by Chikamatsu Monzaemon in 1706 (Takeuchi 1954:627). This Drama is based on Akouroshi tragedy in Nabeshima han (Hiroshima village) in1701 (Edo period in Japan). This is a tragedy about the suicide of 47 samurai reteiners as a loyality expression for their masters. They do suicide after they kill the anemy of theirs masters. In This tragedy we can see two types of loyality of samurai reteiners to their masters, i.e: the old bushido and the new bushido. The old bushido is one type of bushido borned between in the relation of their masters and their reteiners. The type of this loyality is “be ready to die for their masters without reasons”. The other side, the new bushido is a moral of samurai created by Shogun (centre of birocrate). This loyality is based on Confusianism, Colled as rational teaching. Loyal to their masters becouse there’s benefit of doing it. So, in the Kanadehon Chushingura we can see the changing proces between old bushido and new bushido. Isma Tantawi http://repository.usu.ac.id:80/handle/123456789/15554 2010-03-22T08:35:07Z 2009-07-06T00:00:00Z

Authors: Isma Tantawi Abstract (other language): The objective of this research is to analyze Didong Jalu in perspective of language aesthetic and social function on peoples of Gayo Lues ethnic group. The data in this research is analyzed based on both observation and documentation methods. The theoretical base used in this research is relied on literature sociological theory suggested by Thomas Warton (1974) that literature work is considered to be expression of art and social document. Didong Jalu contains the language aesthetic value and it has social function for peoples of Gayo Lues ethnic group inhabiting the upland of Gayo Nanggroe Aceh Darussalam, Indonesia.

2009-07-06T00:00:00Z Isma Tantawi The objective of this research is to analyze Didong Jalu in perspective of language aesthetic and social function on peoples of Gayo Lues ethnic group. The data in this research is analyzed based on both observation and documentation methods. The theoretical base used in this research is relied on literature sociological theory suggested by Thomas Warton (1974) that literature work is considered to be expression of art and social document. Didong Jalu contains the language aesthetic value and it has social function for peoples of Gayo Lues ethnic group inhabiting the upland of Gayo Nanggroe Aceh Darussalam, Indonesia.